2003. These exhort viewers to immerse themselves into a particular park experience. Antonsich, M. 2010. Yellowstone National Park, the Every Kid in a Park initiative, President Obamas Fathers Day visit to New Haven: Yale University Press. Sailboats, hikers, water planes, canoers, and kayakers feature prominently. Instead, they project idealized and selective visions of place, where their images are edited for particular meanings. Hanging above them is the slogan See Kolob Arch. Making Mythic Landscapes. Rider, saguaros, and desert are arrayed on a deeper tableau. In this image, whales remain the schooners goal, but the ships armament is no longer the whalemans harpoon, but rather the 21st century tourists camera. Annals of the Association of American Geographers 66 (2): 266-276. 2009. 2003. Those postcards demonstrating mythic space feature heavy use of symbolic figures and iconography. Postcards are not neutral representations of the places they depict. The fishes bright colors and scattered arrangement across the images foreground draws the eye like thrown confetti. 2010. 2004. Humanistic Geography. Although these two narratives remain disconnected in key ways, we believe the tensions between Anderson Design Groups postcard collection and the federal governments centennial initiatives do not represent a lasting failure, but instead reveal opportunities for future reconciliation between promotion and policy. Political Geography 18 (2): 187-207. These include revamping outdated and overused park infrastructure, increasing diversity and inclusion, and addressing the consequences of climate change. No less significant is what goes unsaid by these slogans. Following Youngs (2012) methods, we categorized and quantified images important to identifying postcard themes such as the appearance of wildlife, presence of people, depictions of historic sites, and scenic views. Mythic space is the final dominant theme present in the centennial postcard collection, and all postcards laden with this theme showcase western landscapes and support the claim that the American West is arguably the most mythic ever created by a nation from its past (Murdoch 2001, quoted in Blake 2014 p. 261). 1995. Social and Cultural Geography 5 (3): 483-496. On Grand Canyon Postcards. The interplay of shadow and light on the vegetation and water, the orange sky above, and the warm hues that highlight the bears richly textured hides all suggest a crepuscular scene moments before an unseen sun sinks below the horizon (Figure 1). Buy. Anderson Design Groups centennial postcard collection provides the source materials for our content analysis. Schooners, for example, are anchors of the cultural landscapes of New England pelagic fishing industries and were popular 19th century whaling vessels. The Acadia National Park postcard resurrects historically significant Maine industries, but transforms them to reflect what is valuable about Acadias contemporary park landscape. See our Terms of Use for details. 1992. The slogan, too, is miniaturized, and the effect is that General Shermans image is left to speak for itself. Contemplating the full image may leave the viewer with a sense that this landscape retains power and agency that defies full human comprehension. Select one of our locations. Its rich green stands in stark contrast to the burnt hues of the sandstone cliffs. What emerges is a moral geography, where postwar middle-class recreation is privileged (Spence 1996; Jacoby 2001). Hausladen, G. 2003. Crown of the Continent, Backbone of the World: The American Wilderness Ideal and Blackfeet Exclusion from Glacier National Park. On a rocky cliff shoreline, Bass Head Harbor Lighthouse is immaculate. Such intertextual references reveal how national parks recreational landscapes can transcend park boundaries and engage with expanded American playgrounds. Blake, K. 1995. Produced in an artistic style reminiscent of classic Works Progress Administration (WPA) promotional imagery, the postcards were tacitly approved by the NPS and made available in national park stores. Mythic Geographies of Representation and Identity: Contemporary Postcards of Wales. Dittmer, J. 2014. Apr 27, 2021 Follow@subparparkson Instagram for project updates! Ponterotto, J.G. Postcards also have the ability to reach a geographically far-flung audience and shape how this audience understands places. GeoJournal 75 (1): 119-132. ----------. to save this product to your wish list. Journal of Tourism and Cultural Change 1 (2): 111-130. Framed by two tree trunks reminiscent of the columns of a Greek temple, the General Sherman tree dominates the scene and towers high above a miniaturized person and station wagon. All reviews become the property of Mast General Store. We define place identity as the collective understandings of places contributing to a sense of shared belonging (Blake 2008; Antonsich 2010). This theme primarily taps into deeply rooted wilderness attitudes towards nature and affirms popularly entrenched assumptions that humans and nature are separate and oppositional entities (Cronon 1995). Geographical thinking encourages conceptualizations of myth that focus on landscape as much as metaphor.
We felt our initial quantitative approach failed to capture the greater themes embedded in the collection. We want to make sure you know: Two symbols of a mythic American West hold primary positions in the image. Our subsequent examination recognized the importance of subjectivity in analysis. This is where youll see your current point status and your earned rewards. Clouds shaped like undiscovered continents are blazoned across an evening sky. Changes in the Land: Indians, Colonists, and the Ecology of New England. Wright, J. A colorful and funny national park one star review illustration postcard, perfect for the national parks lover in your life! Wyckoff, W. and C. Nash. Obscured by orange shades of sunset, the saguaroslooming like arid Entsframe and surround the rider. Journal of Cultural Geography 25 (1): 1-30. 2008. Promotions included An Evening at the Arch at Captain Americas Empire: Reflections on Identity, Popular Culture, and Post-9/11 Geopolitics. The exotic fish and turtle give reasons as to why the diver has chosen Biscayne. First, there is the silhouette of a lone rider, an icon wedded to discourses of a masculine frontier central to construction of popular understandings of the West as a region (Blake 1995; Hausladen 2003). create an account National parks become sites where people can enjoy recreating in some of the countrys most spectacular places. Tuan, Y.F. In doing so, however, we confronted the lesson cultural geographers are careful to remember in exploring representations of place through content analysis: conflating features for meaning (Schnell 2011). This view is from an impossible vantage point, for the images perspective simultaneously captures sights of the waters surface, the sky above, seabirds, and a small personal sailboat. Allen, J. 2006. Indulge in a little vintage whimsy with this post card set. These themes are manifested through ADGs use of charismatic North American wildlife and images of wilderness; depictions of outdoor recreation and use of inviting slogans; representations of American cultural landscapes; and adept use of iconic images and application of light and color. Delyser, D. 2004. Three mature grizzlies dominate the scene as they hunt for spawning salmon forcing their way upstream. Jacoby, K. 2001. The waterfall falling over the cliffs on the viewers right suggests that springtime has arrived in the Utah desert. Successfully marketed to a large audience, the postcards visual narrative shapes the meanings of national parks at the centennial. Where the Cowboy Rides Away: Mythic Places for Western Film. These designs of Americas 63 national parkswith 37 extras of the most popular parksoffer bright, gorgeous art to send to friends and family, or to frame for your walls. Geographical Images of the American West: The View from Harpers Monthly, 1850-1900. New York: Norton. Lanham: Taylor Trade Publishing. In this scene from Katmai, there are no humans to interfere with the life-and-death struggle playing out between two charismatic beings in the waning daylight of the Alaskan backcountry. Myths are also intimately bound to place and are embedded in the material world just as much as in the terrain of the mind. Visual media are cultural texts, conveying dominant ideologies through reproducing selective visions of place (Pritchard and Morgan 2003). New York: Hill and McGraw. The Emergence of Standardized, Idealized, and Placeless Landscapes in Midwestern Main Street Postcards. Katmai National Park presents an untrammeled and dynamic nature, where fluvial and biological processes intertwine and continue unabated. Geographical Review 104 (2): 229-241. Geographical Review 102 (4): 486-509. Most famously, an ambitious ten-year project dubbed Mission 66 expanded infrastructure across park lands for the NPS 50th anniversary. The way these postcards frame place identity, however, offers only a partial picture of the federal governments larger twenty-first century vision for the national parks. Department of Earth Sciences, Montana State University, National Park Service - Park Unit Boundaries, Map of Katmai National Park and Preserve (1994), Topographic Map of Acadia National Park (1931). Many postcards also include slogans or invitations to the viewer. Greetings From: 24 Vintage-Style Postcards of National Parks Across America. The bears intense focus and raw power are subtly captured in how they hunch over the water, muscles tense as they wait, poised, to snap their jaws shut on prey. 2011. Please login or These slogans promote a set of activities deemed proper in park landscapes. Annals of the Association of American Geographers 95 (3): 626-643. The authors thank Joel Anderson of Anderson Design Group for his enthusiastic support and his permission to use Anderson Design Group artwork and colleague Laurel Angell for her input on an earlier draft of this paper. The massive tree and miniaturized slogan work together to proclaim this sequoia as the worlds biggest, establishing this national park as the root of an American national identity grounded in monumental nature (Nash 2014; Runte 2010). DeBres, K. and J. Sowers. The wider landscape is a desert, affirming widespread understandings of aridity as a defining feature of the American West (Worster 1985; Wright 2014). Lastly, we suggest these themes convey visions of the national parks that favor traditional attitudes towards nature and American identity, and consequently come into tension with alternative conceptualizations of the national parks. The visions present in the postcards reach audiences across the world, offering a powerful reminder of the role visual imagery has in contributing to geographic imaginations. In the background swims a feminine silhouette equipped in scuba gear. We embraced the complexities of postcards by considering each as an individual work of art, understood and interpreted holistically for the collections major themes. Murdoch, D. 2001. The second most visible theme of ADG's postcard collection is that of an American playground. The postcard imbues a sense of playfulness into the scene through the use of subject matter, color, and intertextual associations with place. 2011. Biscayne National Park is the most playful of the entire collection (Figure 2). You will be notified when your order is ready for pickup. Acadias flora and fauna are thus transformed from industrial resource to aesthetic resource. This article interrogates centennial promotion efforts to understand dominant place-based narratives associated with the national parks. Start earning points for buying books! Meanings of Place and Aspects of the Self: An Interdisciplinary and Empirical Account. The American West: The Invention of a Myth. Choosing a selection results in a full page refresh. Postcards (Blake 2008; Youngs 2011; Youngs 2012) also manufacture and project place identity. By clicking SIGN UP,I acknowledge that I have read and agree to Penguin Random Houses, Editor's Picks: Science Fiction & Fantasy. Suitable for mailing, framing, or using as gift tags, National Parks: Acadia, Arches, Denali, Everglades, Glacier, Grand Canyon, Great Smoky Mountain, Hawai'i Volcanoes, Olympic, Rocky Mountain, Yellowstone & Yosemite. Through light, color, and shadow, the sky, water, bears, and fish are all imbued with a sense of movement. - 4 x 6" standard postcard- Vibrant digital print on 16pt matte cardstock, ***Please select your park from the dropdown list - you cannot select a park byscrolling through the images.***. Yosemite National Park, and a wide array of visual and textual material including books, films, social media campaigns, stamps, and postcards. As Delyser (2004) suggests, social memory is recaptured through examining even the smallest traces of past experiences. Spence, M. 1996. Yosemite National Park - Half Dome - Vintage Postcard, Redwood National Park California Vintage Postcard, Grand Canyon National Park Vintage Travel Postcard, Zion National Park Utah The Narrows Vintage Postcard, Grand Canyon National Park Arizona Vintage Postcard, Vintage Zion National Park Travel Postcard, Joshua Tree National Park Tule Springs Vintage Postcard, Zion National Park Vintage Travel Postcard, Olympic National Park Washington State Vintage Postcard, Death Valley National Park Vintage Postcard, Yellowstone National Park Vintage Postcard, Channel Islands National Park California Vintage Postcard, Badlands National Park Landscape Vintage Postcard, Everglades National Park Florida Flamingo Vintage Postcard, Canyonlands National Park Utah Vintage Postcard, Bryce Canyon National Park Utah Vintage Postcard, Great Smoky Mountains National Park Vintage Postcard, Moraine Lake Banff National Park Canada Vintage Postcard, Grand Teton National Park Wyoming Vintage Postcard, Mount Rainier National Park Washington Vintage Postcard, Glacier Bay National Park Alaska Vintage Postcard, Pinnacles National Park California Vintage Postcard, Haleakala National Park Maui Hawaii Vintage Postcard, Bryce Canyon National Park Vintage Travel Postcard, Vintage Yellowstone National Park Buffalo Postcard, Hawaii Volcanoes National Park Vintage Postcard, Arches National Park - Vintage Delicate Arch Postcard, Saguaro National Park Arizona Vintage Postcard, Rocky Mountain National Park Colorado Elk Vintage Postcard, Olympic National Park Washington Vintage Postcard, Mammoth Cave National Park Kentucky Vintage Postcard, North Cascades National Park Washington Vintage Postcard, Denali National Park Alaska Mount Hunter Vintage Postcard, Yosemite National Park - Vintage Travel postcard, Redwoods National Park California Vintage Travel Postcard, Glacier National Park Montana Vintage Postcard, Sequoia National Park Giant Sequoia Trees Vintage Postcard, National Parks of The United States List Vintage Postcard, Haleakala National Park Hawaii Vintage Postcard, Cuyahoga Valley National Park Ohio Vintage Postcard, Acadia National Park Vintage Travel Postcard, Channel Islands National Park California Vintage Postcard, Vintage Yellowstone National Park Travel Postcard, Crater Lake National Park Oregon Vintage Postcard, Kings Canyon National Park California Vintage Postcard, Big Bend National Park Chihuahuan Desert Vintage Postcard, Zion National Park Vintage Poster Postcard, Lassen Volcanic National Park California Vintage Postcard, Carlsbad Caverns National Park Vintage Postcard, Petrified Forest National Park Arizona Vintage Postcard, Arches National Park Double Arch Night Sky Vintage Postcard, Vintage American National Parks Collage Postcard, Black Canyon Of The Gunnison National Park Vintage Postcard, North Cascades National Park Mount Triumph Vintage Postcard, White Sands National Park New Mexico Vintage Postcard. Urban Studies 39 (5-6): 1003-1017. Its rich color palette and framing of light through an arch helps tap into deeply held Judeo-Christian notions of the divine. We initially reviewed the entire collection to develop a general understanding of the collections content. The whole postcard is greater than the sum of its parts. Environmental historians and historical geographers have long recognized the role of nature in consolidating a sense of American national identity (Cronon 1995). Human absence reveals the national parks as a last bastion of wild nature. The fishes muscular bodies twist in effort as they try to make their way up the fast-flowing rapids. Instead, they become part of a larger Acadian landscape aesthetic, one that can be consumed by those seeking beauty on Maines coastline. Copyright 2000-2022, Zazzle Inc. All rights reserved. Horizons of the Sublime: The Invention of the Romantic West. 2020 Amber Share. The American Southwests Monument Valley, for example, has been cited as a mythic landscape par excellence (Blake 2014). Recovering Social Memories from the Past: the 1884 Novel Ramona and Tourist Practices in Turn-of-the-Century Southern California. Four Symbolic Boundaries of the American West. 2005. It best represents the national parks as an American playground. The vision of the national parks as natures refuge is the most prominent theme of the postcard collection. From landscape paintings (Allen 1992) and magazine illustrations (Wyckoff and Nash 1994) to beer labels (Schnell and Reese 2014) and comic books (Dittmer 2005), visual media in their myriad forms articulate selective visions of place. Framing the Past: Time, Space, and the Politics of Heritage Tourism in Ireland. Historically significant use of park landscapes, including subsistence lifeways, are left out of the slogans narrative. Nash, R. 2014. Kept in a scrapbook, magnetized to a refrigerator door, or mailed to friends and family, postcards like the Anderson Design Group collection are a source and shaper of place identity. Graham (2002) suggests heritage is defined best as contemporary use of the past, while Johnson (1999) calls heritage an ideological framing of identity. Mythic space is also captured in the image of Zion National Park (Figure 6).
The backdrop to these western icons also shaped our contemplation of the scene. Wilderness and the American Mind, 5th Edition. 2012. Comprised of fifty-nine postcards, the Anderson Design collection presents rich visual imagery of each national park.
They also thank the services and comments of two anonymous reviewers and editor Dr. Michael Steinberg: all offered valuable insights during the revisions process. Zane Grey and Images of the American West. First, we employ content analysis to identify the postcards major themes. Most orders filled same day if placed by 3:00PM. New York: Oxford University Press. Discussions about precise definitions of heritage are numerous and oft-contested. The postcards perspective captures a vision of Biscayne that invites the viewer to join the diver in a subtropical playground. 2002. Picturing Place: Photography and the Geographical Imagination. Postcards most representative of this theme depict charismatic wildlife; images of pristine wilderness; powerful geologic and fluvial processes; and an absence of humans and human activity. Intent on their task, the bears fix their eyes on the water. The Katmai National Park postcard epitomizes the theme of national parks as natures refuge. Second, our content analysis of the postcards suggests four facets of national park place identity: 1) natures refuge; 2) Americas playground; 3) American heritage; and 4) mythic space. The spawning fish and saturated blue of the fast-flowing river suggests a healthy riparian system, as does the rich and thick greenery lining the rivers banks. London: IB Tauris. The Acadia National Park and Sequoia National Park postcards depict historically significant objects and sites and serve as strong examples of American heritage. Dordrecht: Springer Science and Media. Just for joining youll get personalized recommendations on your dashboard daily and features only for members. In A Geography of Beer, edited by M. Patterson and N. Hoalst-Pullen, 167-187. The beholding eye of the postcard viewer cannot help but be drawn to the bear in the foreground, depicted here a split second before capturing a leaping fish. Furthermore, Katmai and the other national parks postcards convey a distinctly American nature. With respect to national parks, American exceptionalism is grounded in superlative landscape features (Runte 2010). We follow Blake (2008) and Youngs (2011) by recognizing that postcards must be examined holistically. These materials are critical sources shaping popular understandings of the national parks. Youngs, Y. 1994. The Qualitative Report 11(3): 538-549. Anderson Design Groups centennial postcard collection presents the national parks as 1) natures refuge; 2) Americas playground; 3) American heritage; and 4) mythic space. Johnson, N. 1999. Reno: University of Nevada Press. Editing Nature in Grand Canyon National Park Postcards. The association between the Florida Keys and Biscayne, meanwhile, introduces an intertextual element to what it means to be in Biscayne National Park. The postcard of Saguaro National Park leverages symbolism and a singular color palette to develop a sense of a mythic landscape (Figure 5). Environmental History 16 (1): 138-147. In particular, we examine a series of commemorative centennial postcards produced by the private studio Anderson Design Group. Heritage as Knowledge: Capital or Culture? Memories and Place: Geographies of a Critical Relationship. The postcard of Acadia National Park showcases an understanding of heritage that aligns with Grahams (2002) argument that heritage is contemporary use of the past (Figure 3). Valued as collectors items, souvenirs, and a means of correspondence, postcards remain available at many tourist waypoints, including gas-stations, museums, or national park gift stores. Fifty-Nine Parks More about Fifty-Nine Parks, Sign up for news about books, authors, and more from Penguin Random House, Visit other sites in the Penguin Random House Network. Uncommon Ground: Toward Reinventing Nature. Youngs (2011), for example, finds that Grand Canyon postcards are edited to convey idealized images of place. Geographers have long recognized the power of visual media to construct enduring place identities (Tuan 1976; Schwartz and Ryan 2003; Schnell and Reese 2014).
First, by dint of their popularity and mass distribution, we suggest the postcards are one mechanism through which collective place-based meanings of the national parks are established. Four significant themes emerged from our revised qualitative content analysis that understands postcards as shapers of national park place identity. Uniquely Designed National Park Postcards, Black Canyon of the Gunnison National Park Postcard, Gates of the Arctic National Park Postcard, Great Sand Dunes National Park and Preserve Postcard, Great Smoky Mountain National Park Postcard, Use left/right arrows to navigate the slideshow or swipe left/right if using a mobile device, choosing a selection results in a full page refresh. Social and Cultural Geography 5 (3): 347-355. Runte, A. Second, there are the parks eponymous saguaros. Anniversaries like these have historically provided opportunities for the NPS and supporters to promote the values of national park landscapes and plan for their future use and maintenance. This is not an official U.S. Government website. The bowl of golden sky pours through Kolob Arch. They are also a primary means of constructing social memories, particularly about place, that are crucial to identity formation (Hoelscher and Alderman 2004). Journal of Cultural Geography 28 (2): 281-309. Highly symbolic, often amorphous, and slipping just out of reach like a willow-o-the-wisp beckoning a traveler in a dark wood, the nature of myth defies easy comprehension or articulation (White 1991). Myths are integral to many cultural landscapes. Across the bottom of the image the postcard proclaims that Biscayne National Park is in the Florida Keys. Your review requires staff approval before posting. Fifty-Nine Parks believes public lands and the art of printmaking are worth preserving. Environmental History 1 (3): 29-49. Worster, D. 1985. It cuts through calm green waters, angling for an advantageous position to view a whales tail breaking the surface. To do so, we identify how features in ADGs collection help construct a particular theme. Our analysis reveals four themesnatures refuge, Americas playground, American heritage, and mythic spacethat collectively anchor national park place identity. Widely available to the public, the postcard images actively shape popular understandings of the national parks. Through invoking the Florida Keys toponym, Biscayne becomes linked with a popular vacation destination. 2014. The use of the charismatic fauna in national park imagery suggests a form of American national identity bound to natural resources and a wilderness experience (Cronon 1995). Looking for store hours or directions? Many of these postcards explicitly depict people at play. US Park Pass is an authorized reseller of the America the Beautiful - the National Parks and Federal Recreational Lands Annual Pass. And go from well-read to best read with book recs, deals and more in your inbox every week. Anderson Design Groups centennial postcards present narratives aligning with mainstream understandings of the national parks historical significance.
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